From Sam Mould

26 Sep - 05 Oct 2017

Autumn is sweeping through Trélex. The hillside is a glorious patchwork of burnt sienna, leafy greens, bright yellow through to hues of flamed vermillion that soften into the deep embers of red.  The ground is cooling, leaves litter the footpaths and the forests of the hillside sing.

I’m out walking. Step. Step. Step. Crunch. Crunch. Crunch. Every pace a musical delight under foot. Small birds peer beady eyed from the pines, a red squirrel bounces across my way, a Jaybird flashes blue whilst pine-cones aim shot from above. The afternoon is warm and as I clear the treeline, a view is afforded to Lac Leman. I count my turns, my change in direction noted each time, as I clock up the footfall.

When walking time slows, in my mind at least. The rhythmic vibes of each step make space to think differently. That’s the beauty of a residency, time to get into the rhythm of creative thinking and allow it to articulate itself in any form. My creative thinking and problem solving brings a collection of articles back to the studio to re-map my walk, points and distance and rock reimagined.     

A quick swim in the glassy lake livens my thoughts and then the night falls quickly here. A full moon brings it’s marbled light through the skylight as I wait for sleep content in the day's work.

From Denise A.

29 Aug - 20 Sept 2017

This summer I had the privilege to spend 3 weeks at the Trelex residency, an opportunity that literally fell into my lap when sitting on the tube in London in early July while thinking how great it would be to get out of this busy town and to focus on my writing. Voila! A few weeks later I was already on my way to Geneva airport. Going on a residency is always a funny thing because it feels a little bit like going on holiday but at the same time, it is not a holiday because you want to make sure you make the best out of having time and space to focus on your practice or in my case writing. (Self-imposed) Pressure to produce on residencies can be paralysing and thinking about Nieztsche and how much he got done during his visits to Sils Maria (Engadin, Switzerland) during the 1880s didn't really help me to decrease it. No comparison with Nietzsche and myself is intended in this statement. Anyway coming back to the residency in Trelex, it just offers a great environment to deal with this double-edged-sword of pressure and pleasure. While diving deeply into the theory and analysis of my practice, I also managed to dip my feet into the lovely lake Geneva and climb the hills right behind Trelex. All activities that are connected and beneficial to each other. The first time I went up to St. Cergue, I wasn't entirely sure about distance and how long it would take; like being on the residency, you don't know entirely what to expect when you walk a path for the first time. After 90-minutes of uphill walking, I heard some cowbells…and there they were, two of most content cows I have ever met. Having an entire meadow for themselves, enjoying what nature has to offer. 

A potential analogy to the residency? Maybe… two artists having a huge amount of space and enjoying what nature has to offer?! The second time I went up the mountain (by bike, just for the record) … by the time I heard the cowbells I started feeling content as well, must be contagious. Content about so many things including my progress on writing, even though the number of words written at that point still remained low. What was important to me was the progress I made in the construction of ideas, themes, and connections; a process which requires a huge plain wall and an incredible number of different shaped post-its. A masterpiece in its own right. Realising at some point, that most of my neon-coloured post-its were purchased in a nearby town called Nyon, was just the cherry on the cake. No way to imagine what Nietzsche would have done had he had such a variety of post-its available. Again no comparison intended. Anyway, there were many highlights during my stay but I consider it pointless to put a number on experiences that are so high in value.


Denise's website

From James Kao

01 June - 17 Aug 2017

When I arrived to Trélex in early June, Nina’s youngest son quickly announced that there was an abundance of hedgehogs in the area. I commented that this was wonderful news as I would be thrilled to see my first wild hedgehog. Alexander immediately inquired about how long I would be staying, and when I told him I would be in Trélex until the end of August, he thoughtfully replied that there would be a high chance of a hedgehog sighting. Alexander then asked for a push on the rope swing hanging from the tall pines, and my residency at Trelex was off to a fresh start!  

Nina’s family is a beautiful family, and while every member of this clan understands that artists have come to Trélex to work on projects, each family member also has a wonderful way of sharing their peculiar inquisitiveness, kindness, and generosity.  Getting to know Nina’s family, Talisker included, is an incredible privilege of this residency.   

Towns, villages, mountains, Mont Blanc, clouds, streams, Lac Léman, woods, forests, farm fields, and livestock mark the landscape, and I could not have wanted to experience anything more on my daily walks. It is a picturesque place, and it is a place where folks who aren’t living off the land are certainly living with the land. All these motifs were a perfect complement to my ever-developing painting and drawing practice—traces of childhood, animals, and the angelic made my time magic.

From Dette Allmark

13 - 26 Aug 2017

I arrived in Trelex after being overwhelmed by the short journey from the shores of Lake Geneva the heightened vista of Trelex. Taking a small red train up past fields n fruit trees with tree topped hills in one direction and the lake n snow topped mountains in the other. The Rodins' home was the sort of childhood stories n I was shown up to a massive attic with views across the gardens. Here would be my studio space for the two weeks I was to stay.  

During my stay I focused on a drawing project on the loss of a child, not a sunny topic but this was a place where I could engage n focus on the theme. I took daily trips to swim in the lake n eat ice cream to balance out the morning topic. Using drawn images from my imagination I produced a series of 12 images to illustrate the theme n explore a woman's physical and psychological response to the issue. I'm grateful for such a beautiful and serene location to hide away in produce work and benefit from the delights of another artist as a studio companion. Many thanks and find below some images of the work produced.

From Sara Ashrafi

01 - 31 May 2017

I am in a house that I don’t think was built. It must have been planted.
Because just like the tree in front of me, it breathes and grows. Its roots search for pure life deep in the moist and fertile lands of Trélex. 
This was my first experience of painting outside my own workshop. A beautiful old house in the green village of Trélex. 
I am mulling over the sources of inspiration here.
It’s a unique experience to be both calm and creative!
How much I need both silence and effervescence!
In this European village, people are sparse and calm…
These days I want to paint insects and at times wild flowers.
And the sky is always a beautiful subject!
Later, I might also paint the creaking of the wooden stairs.
Yesterday, I felt lost among the six trashcans and the gum in my mouth. I had never thought in which one I had to throw my gum! I finally swallowed the gum and that was the best way to end the dilemma. 
It is getting warm is Switzerland and it’s possible to go outside with summer clothes without any worries and stroll. 
Sometimes I bike around this dream village and of course in search for people who come out of their houses for strolling or biking.
They say hello and pass. They are gentle and calm. But calm to what extent? To the extent that I think if I stay here for one year, people would fly away from my paintings and I’d become the painter of nature.
I know of a lot of painters here who only paint the wild flowers and the singing birds. 
How cheerful the baby goats are and the bees make honey with love!
In the mornings, I wake up by the sound of birds and the breeze from the Alps. Sometimes, I feel like I’m dead and that I was so good that I have entered Heaven!
Now, I am preoccupied with the plan of going to the subway when I turn back to Tehran, going aimlessly from Tajrish to Rah-ahan or getting on the bus at 5 PM and watching all the city and all the people!

Michelle Loa Kum Cheung

17 Mar - 01 Apr 2017

As it would appear with most of the artists who are fortunate enough to be able to spend some time at the Trelex residency, I arrived with an aim, a purpose, an artistic mission. Coming from a highly strung London life, and growing up in a generation where success is often defined by production, accomplishment, and efficiency, my mind was pre-conditioned to set a goal and achieve it, which would validate the time spent at the residency. However, after my time at Trelex, I've decided, to sum up how beneficial the residency was to myself in five different but interconnected ways:

To run your day to your own time, to your own schedule, even for a fixed period, is such a blessing. To have the extra time to think, create, reflect. The luxury of choosing how you spend your time, what you do, and when you do it is invaluable. Equally as important are the moments when you stop - and time flows with no significant and defining event, no conscious awareness and no pressure.

The result of having limited time in one's "normal life" is that the opportunity for play, being creative and exploring becomes an activity perceived as a guilty pleasure - but which is clearly an integral part of the artistic process, and should not be downplayed. On my third day, Nina took myself and the other artists, Sophia Starling and Ewa Wesolowska, through the process of book binding - both a luxuriously time consuming and precise art form. The tutorial resulted in hours spent afterwards investigating the properties of paper, the potential for a different display of and engagement with an object of art and a new line of direction for my work.

With the extra time to play, the curiosity of exploring around the studio grew, and this is testament to Nina's generous nature, both in her advice and her willingness to help others. There are supplies in the studio which are available to the artists, for experimentation. Using the supplies is like borrowing from the traces of past artists, their tools, their experiences. Also being never having been to that part of Switzerland, exploring the surrounds, Geneva and Lausanne was akin to a cultural escape.

Talking with Nina - fruitful, engaging, supportive
Talking with other studio artists - relaxing, intermittent, diverse
Talking with Nina's children - humorous, entertaining, impressive
Talking with Swiss people - challenging with limited French skills
Talking with Talisker - at à place!

As with the mindfulness craze sweeping the globe, it was an inevitable and necessary outcome of the solitude and disconnectedness of Trelex - to be content and settled to just "be", whether it be on walks, sitting in the sunshine, at your studio desk - the silence and retreat which Trelex offers also shines the light on what is going on internally, not just externally.

All in all, I was only at Trelex for two weeks, and look forward to spending more time there in the future. To say that it was a wonderful retreat is to state the obvious - to say that it was an enriching experience, both as an artist and human being, is an understatement. Nina is incredibly genuine and supportive, both as a person and in what she is providing through the residency itself, and much thanks should go to Abi Box who organises the roster of artists. Thank you for the amazing time!