30.08.2016 - 29.09.2016
The residency wasn’t what I expected. I arrived hoping to get work done, and possibly spend time re-evaluating my art practice. Both things happened, but very differently from what I imagined.
If I were to sum it up, work gets done. The studio really has a variety of media ready for experimentation, paints, pastels, pencils, literally every tool you need for bookbinding. There is crazy variety of materials, just not variety in said materials, you won’t find every colour you need for example, but what is there is definitely more than sufficient for play. DO ask Nina if you'd like to know if the studio has a specific tool you need, odds are, it should.
What I didn’t quite expect was that the greatest takeaways for me came from the small things - chats over tea, a passing comment from guests, or even simple advice before the flight home.
I think that while the forests and mountains, the museums will very easily, in some way impact or influence work or the work process within the residency, the Trelex Residency isn’t defined solely by that. It really is everything, the neighbouring town, the garden, Nina and family (her children if you manage to get to know them, but do set boundaries or you won’t get any work done!), Talisker (the over-affectionate dog). It is all of those, not really a gestalt of an experience, everything feels separate, yet intimate.
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'Note from Nina: there is indeed a small accumulation of materials but please always check with me before coming as things get used up, things don't always work... Etc. And sow times new materials appear that haven't been mentioned on the website. But yet, I always hope you will play towards new ideas'