From Isabel Moseley

05.05.2015 - 26.05.2015

It's 6.20pm and I’m sitting beside Nina in her van, rounding the grassy corner into Trelex. The witches hat church spire peeping between the hills at a new arrival to the village.

In the morning the clang of cowbells resounded in the mountains and the nights rain made the trees such a shade of green that they looked more alive than anything ever had.

Walking around the village it struck me that the houses looked as if they had been carved out of cake using a large bread knife. On the horizon blue clouds skimmed the mountains and seemed in danger of being snagged on the jagged peaks. A thousand leaves gently fluttered in the breeze and sitting by the open kitchen window I basked in Swiss sunlight.

In the quiet bustle of Geneva I crossed a bridge that ran over a river dashing by. During the heat of the day I visited MAMCO and was reminded of Terry Gilliam’s fantasy film Brazil – the space seemed to recall a pasts idea of what the future would be; great big turquoise doors and windows set into a sturdy industrial building encrusted with contemporary artwork – completely wonderful and the space itself was a work of art. Switzerland is the very quiddity of good design and absolutely everything is beautiful.  At lunchtime Nock circus was in town and its tents gathered in the square like a pack of scarab beetles with their great spikes looming into the blue sky.

The following week in Trelex I had begun to produce some new lino prints spurred on by the geometric architecture I had seen in Geneva. It was very difficult not to be inspired and productive when surrounded by other creative people and for three weeks I lived and breathed art. 

On a warm Tuesday morning I heaved a sigh as I waited in the airport for my flight back to Birmingham. My experience was unforgettable – I’m so happy to have met Nina and all the other residents and I look forward to returning soon…

Isabelmoseley.co.uk

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From Andrew Osta and Ninfa Cuervo

14.04.2015 - 19.05.2015

I came to the Trelex residency together with my wife for five weeks starting in early April. My first impression was that the house, the studio, the location, and the surroundings were just perfect.  It was all so welcoming and comfortable that I was able to begin creating work almost from day one.

Walks and bike rides served as the inspiration for many of the paintings I produced in Trelex. I found the European village setting charming, and going out into always gave me a sense of gratitude and well-being. While inside, I immersed myself in reading some of the art books available in the studio library. Although I’ve been painting for 10 years, I somehow felt like a student, and consciously worked on studies from nature, as well as from art books. I didn’t feel any pressure to perform or produce works, but I tried to experiment with something new every day.

Forest Sketch #1 Ink on Watercolor Paper, 9x12 inches

When we arrived, the mustard fields were just beginning to turn bright yellow, and when we left, the wheat was the most gentle of greens. Some of my favourite paintings of this time captured those moments. On cold and rainy days, I did not have to go anywhere, because the house itself provided wonderful views from the windows, which I could paint from the comfort of my studio.

Nina was helpful in every way, and I know that my wife was very much encouraged by her. She came as a beginning photographer with not much direction to her work, and many doubts about it. By the time we were leaving, her photographs gained a much more unique character, and she continually surprised me with really great shots. She said she felt like an artist by the time she left, which was the goal.

For most of our stay, we were the only residents, but in the last 10 days, we got to meet 3 more artists. It was all very comfortable and the sharing of ideas and experience within the group was beneficial to everyone. I had a little show in the studio, which was not well attended because we didn’t plan or promote it very well, but I believe Nina will eventually move future shows to the first floor of the house, which will provide easy access from the street. With proper planning and advertising, there is definitely a lot of potential in Trelex for relatively well attended and successful shows. I was very fortunate because I met some great people through the English speaking church in Nyon, and they bought a number of paintings, which helped a lot with the cost of our airfare and other expenses

Overall we couldn’t have been happier and are very grateful for what Nina is doing. We are contemplating the logistics of doing a Trelex style residency in our studio in Mexico, but that project is still in its very early stages. One thing for sure, Trelex is an experience. I hope to come back some day, to catch up with what Nina is doing and to become closer friends as well. From Mexico,

Andrew Osta and Ninfa Cuervo

Note from Nina: though it may be possible to find a more permanent display place in the house in the next year or so, the emphasis at The Trelex Residency is as a place of production, artistic development and research. Though some artists have sold work at shows we have organised for open studio evenings, this is very rare even for well-attended shows advertised long in advance. Artists should not for a moment contemplate funding their stay from potential sales. Switzerland is an expensive place but such a strategy could leave you uncomfortably out of pocket. So do not budget around selling work in Switzerland.

From John Appleton

27.03.2015 - 13.04.2015

JOHN APPLETON :TRELEX RESIDENCY : A BRIEF CONVERGENCE.

I think to myself before I board the plane to Switzerland how did I manage to come, so close to lunacy, before jetting off.

The Night before I was helping the Host' and other ex residents of Trelex, with their show. Pretty Peeved an excellent high energy show, by very different and dynamic Artists.

Many events of madness , breaks ins to late night drinking with a dash to the airport with one eye closed and coffee consumed, some how in the hazy morning rush, I had landed in Switzerland.

I quick meet and greet at London at city airport I had met my comrade, for the next two weeks Eva. Picked up by our hosts partner we were whisked to the van with an adorable dog, to the charming town in Trelex.

It was like ghetto to heaven, I had dropped into a Valhalla for producing. The studio was brimming with tools for creation. An atmosphere beyond complementing an artist, of hundred years ago. Eva and I were both perplexed and amazed. London harbours an artist that mainly sees such large spaces once a week, in the heart of different gallery districts. Most of the time we spend hours wishing we were elsewhere. Instead we hunch over our desks and computers in shoe boxed studios. We had arrived in a place where cows bells and bird song reigned together, with ice cream conned horizons.

So here we were planning logistical movements for the next few weeks and getting to know each other. Within the space were our separate rooms and small kitchen, which we shared. It was a basic set up, thought out and perfect for artists perusing traditional practice. Eva had trouble with the lack of technical advancement however began use the space in a more guru like way.

I could see this was going to be a place to decompress, so I wasn't worried about creating as such, but giving myself the time to digest the last few years and carefully pull out some of the more, estranged ideas.

For me at least I started to connect with older thought's. I guess the landscape directed me there. Atmosphere, environment clearly are important to my work. I have always relied on them for subject matter. Even now as I gear up for another show, I connect with my time at Trelex. I chose now to examine, prepare and test. I limited my palette to Black and White and graphite, taking away any attachments to painting.

I should have given more time to experiment, in retrospect. However the value I have from this experience now is coming to fruition. The paintings are more structured and detailed. Collage has become a new way to process and examine.

Eva's work was channelling the semiology of digital spaces. Using google maps to navigate and find where memorable events had happened in in her life. Combining this with the frustration of not being able to access them, due to being 'off the grid'. I liked this, as memory is selective. The jarring of these video works and the skittering screen, evoked ideas of trying to run in a dream, but not moving. I felt her videos were successful in activating the relationship to our own subconscious and the want, to remember.

Apart from studio time, a brief visit to Lausanne, and the Art Brut institute.

This was a first hand at understanding the brain and its powers. Interesting to say the least. Its best to see for yourself. The range of art and special exhibitions are dumbfounding. For myself, seeing these artists and their creations only fuels me. It's the visionary aspects of art making, which I have not dealt with for some time, but this does appear contorting in my paintings, every now and then. Alchemy is as strong a word as you will get, out of a high art establishment. Words like visionary scare the bejesus out of traditional scholarly types these days. Any whiff of incense is quickly edited with bleached texts and statements of enduring confusion. My point is letting go and let the madness consume your work,  maybe isn't a bad thing.

Anyway that's some of my experience at Trelex, well worth it, good for the soul. Next time I will produce a body of work and maybe get interactive, more community minded, so as to process ideas with a environment that nurtures.

www.johnappleton.co.uk

From Abi Box

12.01.2015 - 03.02.2015

Residency Garden Snowed Under

On 12 January I arrived at Geneva airport with a suitcase full of more paint than clothes to spend three weeks as an artist in residence on the Trélex Residency programme.  The residency was founded three years ago by artist Nina Rodin and takes up the top floor of the her family home in Switzerland.  Nina and I came to know one another during our BA studies together at Camberwell UAL and so I’d been keen for a while to come and spend time at the residency and work alongside each other again.

Abi in the Trelex studio making paintings

The set up is a self contained live in work space complete with two bedrooms, a kitchen and a bathroom and a large studio space with plenty of light, shelves full of books and materials and two movable walls.  I shared the studio with both Nina and fellow artist in residence Rebecca Molloy and although we did a fair amount of wall manoeuvring we chose mostly to arrange the space to be as open plan as possible.  The windows look out on to the garden which is surrounded by countryside and in the distance the mountains.  Trélex itself is located on the northwest side of Lake Geneva, in the district of Nyon, it’s a small town with a bakery, restaurant, post office and little shop - which I saw open only once in my whole time there.

Local shop

I went with the intention of getting stuff done but in reality three weeks isn’t that long and between the three of us we had a lot to say.  So our time was split generously between making work and talking about work.  Actively sharing thoughts, challenging one another on our ideas in an effort to refine what the point might be or to push a concept further.  I completely underestimated how much input I would receive simply by working in the same studio space as Nina and Becca, I was pushed even on a technical level in terms of my use of colour and painting technique, I really tried to keep an open mind and to listen properly.  Since being back I’ve missed working in company, there’s something better about being able to spread a conversation out over a longer period of time, with space to think in between comments and come back with thoughts as and when they come to you.  In the same way I also found suggestions would sink in better, you don’t forget because the conversation surrounding them is ongoing.

Painting detail, Abi Box

We also made time for adventures.  There’s so much countryside in the surrounding areas to explore, early on in the trip we took the bikes out into the forest to experiment with some installation ideas.  I had in mind an idea to light a fabric forest fire and take photographs for incorporating into my series of forest fire paintings and Becca took a can of squirty cream to use in a series of short forest graffiti video pieces.  We spent a number of afternoons going for walks and when it snowed we built a snowman in the garden with some less than conventional fixtures.

Rebecca Molloy on the way to the forest

On a few occasions we went further afield and took the 30 minute train journey to Geneva for exhibitions and sightseeing and nearer the end of our stay we hosted a open studio coffee morning where Becca threw everyone in at the deep end with the squirty cream videos.  On the last day we took the train up to St.Cergue and went snowshoeing through the woods and over the mountains and were wowed by view over Nyon and Lake Geneva. 

Snowshoeing in St.Cergue with Becca and Fanny

This is only a short summary of our time in Trélex - I did also write a diary of sorts, a little each day, which has been mostly for myself (so not to forget) but it also goes into much more detail and has links to extra bits of information etc…  12 Jan (day one)  > >




www.abi-box.com

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From Rebecca Molloy

12.01.2015 - 03.02.2015

I arrived to the residency with artist Abigail Box in the middle of January and within a couple of days we had completely settled into our life in Trelex and had begun making our new work.

To explain briefly about my practice, I am a painter interested in mostly the body and the ‘weird’, the outcome is largely installations that combine collage, painting, objects and film. I came to the residency with the intention of being quite experimental and open minded about what I would make but there were two parameters that I set myself in order to start a new body of work.  Firstly, I wanted to make work that would be easily transportable and so decided quite early on that I would make mostly videos and secondly I wanted to explore ways of making paintings without actually using any paint. To my delight both Abi and Nina were excited and stimulated by these ideas which made my time on the residency very productive and enjoyable.

‘Just Sit Down and Let the Colours Go in Your Eyes’ 1 minute video, 2015

‘Just Sit Down and Let the Colours Go in Your Eyes’ was my first finalised piece of work from the residency.  I wanted to move away from a more abstracted way of working and instead make the content more apparent and so began to experiment with the use of an isolated eye on an ipad and iphone, which existed within a mini installation of surfaces, textures and sensations. Within the installation there is a tension between the cutting of string, eyeballs and sound and is influenced by the idea of leading the viewer which is often used by film makers.

‘Stop Licking my Cornflakes’  1 minute video, 2015

In terms of thinking about painting without painting, I also made a series of videos that involved the use of foods. This included going into the Trelex Woods with a canister of squirty cream and also using chocolate milk and vegetables as a replacement for paint within compositions. There was a focus on the lusciousness of food, it’s colour and textures and it was an important process to think about painting and it’s materiality within a wider sense.

‘Council Pop’ 12 second video, 2015

‘Council Pop’ 12 second video, 2015

During our second week of the residency we held a coffee morning, to invite local residents of Trelex amongst others to see our works in progress.  The attendees were mostly non artists, and it was a challenge to try and explain our ideas behind our practices, particularly when thinking about work that had squirty cream as a dominant feature. It was challenging but I also really appreciated being able to speak about my work and to try and answer as coherently as possible, such questions as ‘but how is that art?’ I hope that I managed to give some credence to my work and show that I am genuinely an artist that is very much interested in painting… even when there is not a brush in sight.

Studio Shot, Trelex Residency, 2015

Myself, Nina and Abi spent a large amount of time in the studio, working alongside one another, with regular intervals of tea, chocolate and discussions. These pauses were a massively important part of the residency. I felt I was really able to appreciate both Nina and Abi’s practice as I began to gain insight into their motivations and interests. Our conversations bounced wildly between art, science, philosophy and life itself and I particularly enjoyed that however big the detours were, the conversations often came back to ideas around painting.

Whilst spending a large amount of time within the studio, we also ventured out for bike rides, walks, trips to Nyon and Geneva.  We were introduced to some of the people within Nina’s network of contemporary artists, collectors and gallerists which was also a wonderful part of the experience on the residency.

Walking up Fruiters de Nyon, from St Cirgue, 2015

Abi Box in the Snow, 2015

Our last Sunday was spent snow shoeing from St Cergue to the top of Fruitiers de Nyon and for me was one of the highlights of our stay. We trekked for  7kms through feet and feet of snow and as an English person who’s only seen small amounts of snow fall, I was as excited as a child. There was a painterlyness to the landscape as everything was covered with white mounds and Santa Claus was mentioned frequently. Our final few hours were spent in St Cergue drinking beers and so felt like an appropriate way to mark the beginning of the end of the residency.


www.rebeccamolloyart.tumblr.com

www.rebeccamolloy.com

Celebrating 3 years of residents

As the third anniversary of the residency approaches, I have tried to celebrate the artists who have passed through The Trelex Residency with a page that gathers all their websites in one place. Here is what it looks like for now. Not everyone who has come has a web page and I have yet to meet an artist who feels that their website is entirely representative of their practice. Mostly we sigh: 'Oh, my website needs updating...'. But the intention of this page is also a quick link to contacts for everyone so that the exchange, discussion and collaboration that is so central to the Trelex Residencies can stay alive.


Follow Nina Rodin-Artist's board Trelex Residents on Pinterest.

From Stefan Orlowski

31.03.2014 - 30.06.2014

Trélex - An Odyssey

It was Anthony Burgess who said that 'to be left alone is the most precious thing one can ask of the modern world.' Indeed this may be true but for what reason? Solitude can be a wonderful experience in order to listen to your senses, to simply allow oneself the time to process ones thoughts.

Essentially 'an ivory tower is fine as long as the door is open'. That is how I will best remember my experience in my three month stay with Nina and her family in Trelex.

I remember waking to the tolling of the town bell, looking out of the small aperture window in the southerly direction towards the vastness of the French Alps. This is the first thing to adjust to: the magnificence of the location. To the other side of the property lies the rolling Terre verte quietude of the Jura foothills, which, in the early mornings are often to be found shrouded beneath a lingering diaphanous fog. This fog, and the mountains it obscures would be where I spent many of my days and evenings. The Jura can be accessed by foot from the residence, simply walking out towards the town of Gingin and following the winding roads that lead to the logging routes. As you make your way up the steep promontory, eventually piercing through the wet canopy of cloud, magnificent views await across the entirety of the Vaud Valley and beyond.

Evening Mist in the Jura, 30 x 40 cm, Oil on linen, 2014

However, in order to attain the full panorama, it is necessary to ascend La Dole. This summit lies just behind the imposing view from the studio window. The incongruous white dome which marks the summit of this peak can be seen from the studio, but belies the spectacle that awaits if one takes the short drive to the summit car park. I remember a particularly disquieting experience up on the summit of La Dole very early one morning. The fog was again loitering among the undulations and hills that ascend towards the summit. Though strangely at this altitude approaching 5000ft there was no trace of wind. At the summit the scale of the dome impressed upon me sublimely, and yet what hypnotized me further still was the absolute quiet, the lack of any discernible movement of a single blade of grass as the fog kissed the earth around me. I felt contained like a small specimen within a bell jar. I felt reduced, infinitesimal and yet completely at ease.

A painting from just below the summit of La Dole: 'Crucible'

All of this was for me a perfect setting to explore a new found interest in Landscape painting. Together with Linda and subsequently Zahra and Denise – all fellow residents during my stay – I would enjoy walking the local country in search of whatever I was looking for.

The Walk from St Cergue to La Dole

The residency is a wonderful blend of open discourse and working privacy. Nina is willing to offer critical advice and technical knowledge when called upon and there always seemed to be a free flowing exchange of thoughts and feelings about painting regardless of style or subject matter. Painting was always open for discussion with Nina and Linda, and I found that to be a particularly nurturing environment. New residents are asked to give a small presentation of their influences and past work. Like many artists I find presentations daunting but rather than being in any way difficult or awkward I found it to be relaxed, informal and beneficial to the open environment of the studio.The studio itself I found to be well set out with a huge amount of space to lay out large expansive projects if necessary. The two large 16ft movable walls are particularly ingenious in so far as they allow residents to altar the layout of the studio to suit specific needs: whether it be the curating of an exhibition, the accommodation of an installation or anything else for that matter. The views across the garden from the rear of the studio, where residents are usually to be found, are beautiful. The atmosphere across the Jura, which can be seen from the window, is very rarely the same and always something to behold. In its quiet magnificence I found it more stirring than the more dramatically kitsch views of the French Alps in the other direction.

In terms of materials and equipment, Nina's generosity in this area cannot be overstated. The studio is a veritable Aladdin's Cave. If you are missing something from the tool box, rest assured Nina will have just the thing for you. This usage of materials goes within reason of course. There is an art supplies shop in both Nyon and Geneva to pick up gear as and when. Although remote in its setting, Trelex is placed equidistantly between Geneva and the series of towns and Villages that run along Lac Leman. For galleries and art collections Lausanne provides a real wealth and diversity of Contemporary Art as much as the lesser known but equally vital works to be found in the revelatory Collection de L'Art Brut.

Being a resident for three months the initial few weeks passed slowly and in keeping with the steady drifting fog beyond my studio window. There were periods where I felt as if I had fallen out of time, as time itself really had little relative meaning in my day to day working process. This really is a terrific feeling of boundless possibilities, whereby I felt emboldened and justified in allowing myself to accept mystery.


I feel privileged to have been a part of the Trelex residency programme. My work has grown and gone in directions I never imagined before my arrival. It is a rare thing to meet an individual such as Nina who believes so passionately in the open and free education and collaboration between arts practitioners and writers at all stages of their careers. It is philanthropy of the highest order and I would like to extend my sincerest gratitude to Nina and her family for their generosity and pure good will.



www.stefanorlowski.com